Edward undergoes actual development over the course of the series, and is a pretty flawed (and, in turn, relatable) person.(Also, I give kudos to Conqueror for Shamballa for straight-up having Ed foil the plot of a bonafide capital-N "bring glory to the Aryan race" Nazi.) I feel that, by the end of the show / film, it gives enough time to the concepts and ideas it's taking inspiration from in order to feel authentic for the most part, rather than just trying to incorporate bits of things in order to be "ooh cool science-magic". I appreciate that the series tackles things like nationalism and racism in meaningful ways, as well as incorporating themes like loss and forgiveness in ways that don't just feel artificial (which, again, I feel is due to them not being afraid to slow things down from time to time and just talk).They each have their own motivations and histories that are pretty well thought-out. ![]() Even if you don't like a character as a person - the villains are definitely villains - you understand where most of them are coming from, and they all have their own backstories that are, to some degree or another, understandable. I think FMA, for the most part, did a great job of keeping those quieter moments engaging and interesting, and it really helped make me attached to most of the characters by the end of the series. I appreciate stories that don't mind taking time away from the action in order to develop characters and relationships in depth, but it's often difficult to do that in ways that don't feel like they might be considered filler or just not feel interesting.
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